Italian Techno at its best.
Fred CARBONE | 11th October 2017
Launched in 2008 by the DJ and producer Fabrizio Lapiana, Attic is a multifaceted record label. This italian techno reveals its real touch, known for its trance and groovy tones, and influenced by the berliner techno, the style leaves its marks in Attic’s releases. In a scrupulous concern to pass on this musical background, the label beginnings follow the codes with a very purified electronica techno, sometimes close to the tech house, and still far from the actual techno productions’ dazzling advance.
The prolific Lapiana signs his very first releases, but quickly succeed in gathering several italian producers as Donato Dozzy in some bewitching compilations and collaborations (The Attic Session, Travel Color EP). A sub-label, Attic Digital (which became Attic Music Digital thereafter), exclusively dedicated to digital releases, emerges from this impetus. In 2011, he surprises us in signing a release from the Commodity Place duet, where techno seems to take a break and make room for some kind of lounge rock smoothness.
Between 2012 and 2014, Lapiana takes up his old habits again and releases several EP, showing his capacity to produce in an efficient and narrative way. In 2013, Lapiana releases the “Antimatter” trilogy first edition, marking a major turn in his label’s music evolution. A way more assumed heavy techno, reminding though the freezing atmospheres already very present in the previous EP. Since its beginnings, Attic grew, and in a stupendous way, taking us in a dreamlike and thrilling techno, and it is binding.
LABEL BOSS: FABRIZIO LAPIANA
You have started Attic almost 10 years ago. What was the reason for starting the label and where does the label name come from originally ?
After many years as local dj in Rome I began to feel the limits and I needed to give more to the scene, I wanted to produce my own music and have my own project where my vision of techno could be represented. I choose Attic Music because I started to work in my home studio in the attic.
As a label manager, what were the main challenges you face from the start ?
There are many many more labels then 10 years ago, the market is full. Although vinyls sales are increasing.
How do you handle the difficult balance between artistic intuition and answering to the public demand in the label management ?
I don’t answer to the public demand…I just release what I like, for this reason sometimes I loose money :)
How far are your artistic choices influenced by dancefloor functionality ?
My vision of techno is something that could be danced in your mind, also alone at home.
I know it's hard to answer to that but if you had to pick out 3 favorite releases on your label, what would it be ?
So difficult to reply…but I try:
Edanticonf - "Almost There 2" EP
Bruno Sacco - "Laq 03" EP
and upcoming Synthek - "Failed Game" (w/ Antigone remix)
What’s coming up next for Attic ?
Can’t reveal so much yet. Just can announce something new from me, an ep from Ricardo Garduno with my remix included, an Ep together with Claudio Fabrianesi and something to celebrate the 10 years of the label in 2018
"NOT TO MISS" RELEASES ON THE LABEL
PVS - Prozac 01 (Propane EP / Attic Music Digital, 2013)
Marco Piovesan aka PVS released on Attic Music Digital following a few gap years taken after he cut his teeth with Backlash Muzic. This EP on Attic has been followed by a remarquable release on the mighty M_REC label giving birth to a rich and banging techno. “Prozac 1” knows how to keep the dancefloor in tenterhooks.
Fabrizio Lapiana - Cobots [Antimatter 2 / ATTIC002, 2014]
Lapiana’s daring is embodied in all its splendour in the Antimatter trilogy. In this second episode, the rich and varied sonorities evolve with grace in a dark and hypnotic techno, that can sometimes even be confusing.
Pier Alfeo, DJ and producer, signs with his italian brothers in arms PVS and Asslati Indistriali the series’ “D.A.N.C.E” (Detector for Advanced Neutron Capture Experiments) fourth episode. Qualifying himself his music as “psychotic-muddy-tidy-symbolic-organic”, UNC explores his vision of techno with an obsessional layer which finds its roots from the first kick and winds up with industrial sounds at the end of his trip.
Isabel, the first EP from the typhoons’ dedicated serie, signed by Lapiana and remixed by Reeko and the late Max_M delivers four pieces of both percussive and atmospheric techno. “Dfract” remixed by Reeko (Pole Group, Weekend Circuit) is revisited with a harder and unequivocal structure.